Painting love and domesticity as an alternative to alcoholism, Coxon’s jaded, office-drone mewl meanders towards a priceless payoff: “Take me away from this big bad world/ And agree to marry me”. We’re as susceptible to Damo’s charms as anyone, but let’s face it, ‘Coffee and TV’ sees the boy Coxon hit a home run so hard his hands are still shaking. Draped in moody curtains of Moroccan street-music, ‘Out of Time’ magically thrusts Damon’s romantic resignation into a delicate, geographically displaced tale of modern ennui, melting all but the stoniest hearts. Select the department you want to search in. Read honest and unbiased product reviews from our users. Which is obviously a way bigger deal.Īfter a four-year hiatus, Britpop’s washed-out conquerors returned with this off-brand slow-burner, the surprise lead single from ‘Think Tank’. Find helpful customer reviews and review ratings for Parklife (2012 Remaster) at. Not just a commercial breakthrough for the group, who springboarded into the pop culture stratosphere off its back, the track also made NME’s 1994 single of the year. Not everything came off, but ‘Good Song’’s twinkly, music-box lullaby proves they’d found a beguiling space station to call home.ĭisco bass pops, pro-LGBT lyrics and an impossibly addictive to-me-to-you chorus – ‘Girls and Boys’ is the defining Britpop anthem. ![]() Half a decade after the Britpop boom, Blur’s 2003 album ‘Think Tank’ riled a clutch of fans, who felt betrayed by Damo and co’s arrogant pursuit of a musical style that didn’t taste of the previous decade’s leftover Foster’s. While songs like ‘Girls and Boys’ perfectly capture a fleeting moment in time, ‘Tender’ is their earliest single that stands up on its own merits, a triumphant, gospel-backed sermon on the virtues of musical reinvention. Just as we’d acclimatised to Britpop’s sudden burnout, 1999 saw Blur flip the tables and reemerge as rock’s shining saviours. ![]() Released in 1997, Blur’s eminent head-banger shot from their self-titled fifth album at 300mph and hasn’t stopped, careening into indie discos and karaoke machines with enough turbulent velocity to obliterate, for two glorious minutes, your crushing awareness that the ‘90s ended, youth fades and you’ll never be a rock star.
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